- #AMERICAN HORROR STORY EPISODES HOTEL HOW TO#
- #AMERICAN HORROR STORY EPISODES HOTEL SERIAL#
- #AMERICAN HORROR STORY EPISODES HOTEL SERIES#
I really, REALLY dislike Sevigny and her stupid ass character, Alex.
#AMERICAN HORROR STORY EPISODES HOTEL HOW TO#
I can’t figure out how to segue into my dislike of Sevigny or her character so I’ll just jump right in. And I truly believe he will save this season. He plays the time period of his character to perfection, his gusto is frightening, and every time his façade betrays him and we catch a glimpse of the pure evil underneath the well-fitted suit and perfectly manicured mustache, I’m in awe. As far as the main cast is concerned, Peters has the lion’s share of moxie. Plain and simple.īefore I go on my Chloe Sevigny/Gaga rant, I must praise Even Peters once more for being so perfect at everything he does. Which makes for some kickass entertainment. But what the show has done is turn these very realistic phobias into extreme and supernatural ones. In reality, hotels are creepy or gross because they are the sum of the current guests and shoddy cleaning.
One of the reasons a hotel was chosen as the “spooky” setting for this season lies in the fact that we have little control over what happened, will happen, or could happen in our hotel-even more frighteningly, our own personal hotel room-when we make the choice to stay there. From what I’ve seen of these killers in various documentaries and such, the actors did a fairly awesome job of portraying them and I wish like hell we could have seen more of them.īut here’s what I really loved about “Devil’s Night”: the idea that a hotel is the sum of all its past guests. I also love the postulation that March was the one to give all these killers tips on how to be a better at their, umm, craft. Regardless of the episode’s camp or exploitation, it’s just a really fun idea.
#AMERICAN HORROR STORY EPISODES HOTEL SERIAL#
Every Halloween, James March holds a ghostly, murderous dinner party with some of the most notorious serial killers of our time. This is an idea I can definitely get behind. “Devil’s Night” is a who’s who of serial killers. Last night’s episode, “Devil’s Night,” was the second type of episode next to zero plot development but a ton of fun. How Murphy hasn’t learned to balance these things in one episode is beyond me, but I digress. It boasts very little plot development and exists mainly for thrills or tone setting (or an actor’s vanity). The second type is more of a fluff episode. The first type jumps from plot to plot to plot and gives so much information that you either get lost or get bored.
#AMERICAN HORROR STORY EPISODES HOTEL SERIES#
From there, he was accepted into the American Film Institute, where he made additional shorts, which led to episodes of the syndicated series “Monsters,” as well as an episode of a revived version of “Alfred Hitchcock Presents.There are two types of “American Horror Story” episodes. Moving to Los Angeles in 1983, Coto started his career in commercials, and soon shot the murder mystery short “Twist,” starring Tippi Hedren. Later, he attended Loyola University in New Orleans, where he made a 16mm film about college life, “Roommates.” And he co-wrote (with Brian Helgeland) the unproduced screenplay “The Ticking Man” in 1990, which at the time made headlines for selling for $1.2 million - a then-staggering amount for a spec script.Ĭoto and his mother emigrated to the United States when he was less than a year old his father, a physician, managed to join them several months later and establish a new practice in Orlando, Fla., where Coto grew up.Ĭoto grew up making home movies with his siblings and his father’s Super 8 camera. Giggles,” which found a new generation of fans via a Blu-ray re-release from Shout! Factory. In features, Coto co-wrote and directed 1992’s “Dr. He will be immensely missed by all who were fortunate to have known and worked with him over the years, and our sincere condolences go out to his beautiful family at this most difficult time.”Ĭoto’s credits also include creating the Showtime series “Odyssey 5,” as well as the Fox series “Next.” He also worked on the final three seasons of “Dexter” and the final two seasons of “Star Trek: Enterprise.” Taking over “Enterprise” as showrunner in Season 4, that gig represented a full-circle moment for Coto, who grew up watching the original “Star Trek” in reruns as a kid. “He was brilliantly creative with a deep intellectual curiosity, and his loyalty and friendship touched many.
“Manny was an incredibly beloved member of the 20th Television and FX family for close to two decades,” the studio and network said in a joint statement.
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